Marek Pękacz
"Lech Empire"
85 x 120
/ Oil, UV medium /.
2020 r.
Marek Pękacz - Painter and scientific fantasist. In his painting he combines top-notch technical proficiency with concepts inspired by the world of science. He calls his paintings OBJECTS. They contain a broad description of the idea in the form of open text, as well as an encrypted part, hidden in the painting.The content is hidden in the form of a meta-image painted with a special preparation, visible only under UV light, as well as in the form of symbols, binary code, or text written in letters from his own alphabet. The meta-image, visible in the ultraviolet, is a graphic synthesis of the IDEA that is the clou of the object in question. He treats hyperrealistic images as packaging for his concepts.
From the author:
This painting begins in 1926. It was at this time that the picture was taken in the studio of Wojciech Kossak.
The photographer came in, the men greeted each other,discussed the details.
-Mr. Kaziu, you will help move the horse.... Still, still... oh, oh, oh well. Picobello!
-Head straight! Oh, this, this, this....
BUCH! He shot the lamp powder.
93 years later, this very moment, captured on a photographic plate, was shown to me by my distant friend A.J. Sparks. I added color. A.J. added the idea of dogs. I threw out the wall. I moved everything into an alpine valley, and so thoughtfully painted the picture.
At first we see a landscape in this painting, with a clear foreground. Then only later does it occur to us that there is some inconsistency here. The horse has no legs, the dogs are a rather exotic addition, and there is a head impaled next to the picture painted by Kossak. A rifle bullet flies out of the picture in the painting with the shooter directly into the heart of its author!
OLABOGA! RATUICYE (sic!).
Not enough?
In the meta-image, Kossak transforms himself into a prophet of native believers, prophesying the GREAT LECHICIAN IMPIERIUM, under the inspiration of the Horse, which is an incarnation of Perun, from whose eyes energy is emitted into the information field, which Kossak, through his antenna-head, transfers to the canvas. She paints with a lightning bolt, dabbing its tip with the names of Mieszko I's ancestors. On the floor, the WIJ wraps its eye in a triangle (check out the look of Pope Francis' audience room). A horse on its back carries a scroll of knowledge with an inscription on it in my private alphabet.
I won't force myself to lecture what Lechia and nativeism more broadly is. It's easy to seek knowledge on the Internet. And here I am sensitizing you to all sorts of derangement and simplicity.
The theory of the Great Lechia, in my opinion, should be considered in a broad context. Trying to narrow the topic to the stumbling blocks of source materials, scorning the authors/promoters ad personam, is an escape from ignorance. Yes, from ignorance.
We have a consistent picture of the world, promoted in the mainstream media, injected from childhood. Simple, obvious, and don't let God undermine it! There is no agreement on this. Anyone who has entered the zone of psychological safety does not want to leave his beachhead for anything. It does not matter whether it is Christianity, Islam, atheism.... the pattern is the same- flight from ignorance. Panic fear of not having answers. Before a clear and firm NO KNOW.
The hypothesis of the existence of forgotten civilizations in the ancient past, in my opinion, is capable of defending itself, and it irritates me immensely to reject it a priori.
This picture is multi-level and metaphorically shows the complexity of history. We would like a binary world. A defined one. One in which everything is easy. Fortunately, this is not the case. It is colorful and multi-level.
