pastel / paper, 46 x 60.5 cm
Tymon's second composition probably dates from the beginning of Tymon's stay in Zakopane. In it, too, we see a clear reflection of Wyspiański's work: "the master's influence is also betrayed by the often drawn head studies and portraits, such as the portrait of Eliza Mogilnicka or Wladyslaw Orkan, framed similarly to Wyspiański. He also uses, following the example of the master, mainly the technique of pastels, especially until he came into contact with Slevinsky."(Harbaszewski, p.95).
