This exquisitely detailed oil on copper panel is a masterful example of a religious allegorical work from a 17th-century Flemish master. The composition is structured in three distinct registers, characteristic of the period's narrative painting. At the top, a divine assembly is depicted with the ascended Christ at the center, flanked by the Virgin Mary and a crowned figure of God the Father, all resting on celestial clouds.
The central plane features a floating chalice and a host, a clear representation of the Holy Eucharist, which is venerated by two angels in flight. This symbolic core connects the celestial vision above with the earthly gathering below.
The lower register presents a venerable group of saints, bishops, and monastic figures, who are shown in postures of reverence and spiritual contemplation. Their meticulously rendered garments and facial expressions speak to the artist's refined skill and attention to detail, a hallmark of the Flemish School. The small scale and choice of copper as a support medium suggest that this piece was created for private devotion, a connoisseur's collection, or a specialized altarpiece, showcasing the artist's remarkable precision and devotional
depth. Oil on copper panel, 37 x 28 cm
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